Exhibitions Archive < Back THE ART OF LIVING WITH ART OPENING 25 de jun. de 2020 CLOSING 31 de dez. de 2020 We have challenged ourselves to break the epochal and stylistic barriers, focusing on the intrinsic beauty of each of the pieces presented and looking to create a scenario of tranquility in which art is the vital and recreational element, creating amongst us a constant source of inspiration. Each pick is the result of a fine line of passion, holding us inescapably to the chosen object, which at times is a fruitful and unexpected encounter and in others a result of a long and persistent search. In this ephemeral architecture, we have aimed to recreate our universe, our passion for form, design, material and for the relations that establish between a piece and its surroundings. The selection of each piece, the search for its place, the readings provided by different angles, the various possible lightings, the dialogues established in-between the objects, the hunt for the final coherent composition, all of this composes our intimacy, constituting an integral part of what we call well-being. Previous Next

Contemporary Art < Back PAULO QUINTAS Ericeira, 1966 Born in Ericeira, in 1966. Lives and works in Santa Rita, Torres Vedras. Attends the PhD in Painting course at the Faculty of Fine Arts of the University of Lisbon (2009); Post-graduation in Painting by the Faculty of Fine Arts, University of Lisbon (2005); Degree in Painting by the Faculty of Fine Arts of the University of Lisbon (1997). Participates in individual and collective exhibitions, at home and abroad, since 1990. He is represented in the following collections: BANIF MAIS, Lisbon, Luso-American Foundation for Development, Lisbon; PLMJ Foundation, Lisbon; Culturgest - Caixa Geral de Depósitos, Lisbon; Ar.Co - Art and Visual Communication Center, Lisbon; ANACOM - National Communications Authority, Lisbon; Private collections in Portugal, Spain and Switzerland. «Since the end of the eighties, he has been developing a solid and radically individual artistic path, impervious to diaphanous fashions or trends and perhaps that is why his work has not had the deserved visibility.» [Isabel Carlos] vera cruz n.º10, 2016/2019 Oil on canvas 130 x 130 cm Not that yellow, Vincent III, 2010 Oil on canvas 160 x 140 cm Not that yellow, Vincent IV, 2010 Oil on canvas 160 x 140 cm Not that yellow, Vincent XI, 2010 Oil on canvas 130 x 130 cm Untitled III, 1994 Acrylic on plastic sleeve on canvas 140 x 180 cm O meu peso, 2006 Water color on paper on wood I acrylic box 56 X 56 cm Untitled IV, 1994 Acrylic on plastic sleeve on canvas 140 x 180 cm

Modern Design < Back CANSADO BENCH, 1958 to mid 60's Charlotte Perriand Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D) Charlotte Perriand, Cansado bench, 1958 to mid 60's Manufactured by Steph Simon, France, 1958 to mid 60’s Thirteen mahogany slats on a black lacquered metal frame Provenance: Cansado, Mauritania Origin: France 24cm (H) x 190cm (W) x 70cm (D)

Modern Art < Back CARLA ACCARDI Untitled Marker on Card 22 x 32 cm Signed on lower right

Miscellaneous < Back PRE COLUMBIAN VASE, 100-800 AD Pre-Columbian vase Origin: Mochica culture Peru Between 100 and 800 AD Ceramic H 20 cm x W 18 cm x D 18 cm

Miscellaneous < Back NAZCA VASE, 200-600 AD Vase with a hemispherical body representing the god Jaguar. Nazca culture, Peru 200 - 600 AD Polychrome terracotta H 16 cm x D 13 cm

Exhibitions Archive < Back CAN YOU PLAY? Vera Midões OPENING 21 de out. de 2021 CLOSING 22 de nov. de 2021 " [...] As palavras são decantadas tornadas só mesmo no essencial, é rasgada a assimilação do que é escrito para ser lido e o que é que escrito para ser desenho. As imagens repetem-se tanto que elas planificam-se com o peso de todas as réplicas e clones das tentativas de mergulhar nelas. As telas da Midões são pesadas, porque carregam todas as pegadas que se dá quando se joga à macaca — e a macaca iniciou-se como um exercício de treino para a guerra. Do mesmo jogo nascem centenas de outros. Cada vertente destrói as barreiras de múltiplas definições de vários jogos, balançam-se entre céu e inferno e tudo no meio é uma sopa de letras que só constrói significados sem significado (com significado) à medida que se vai comendo. As pinturas são a chave para entrar dentro delas. 1, 2, 3, 4, 5… tudo são lados de tabuleiros prontos a ser jogados. Tabuleiros já iniciados com as peças no momento da eterna tensão. Tabuleiros desfeitos com mau perder. O jogo começa quando se erra. Guilherme Figueiredo VERA MIDÕES (Lisboa), frequentou Sociedade Nacional de Belas Artes; Em 2004, Concluiu o bacharelato na Escola Superior de Teatro e Cinema - No Curso de Realização Plástica do Espectáculo. Participou em Exposições como na Carpe Diem com o AR.CO . em 2017. Terminou o curso avançado de artes plásticas no AR.CO - Exposição de bolseiros e Finalistas 2019. Em 2020 Exposição Carpe Diem, Arte e Pesquisa, Prémio Jovem 2020 Millenium BCP; 2020 Exposição Amorpho SUPER 1; 2020 Exposição Safra - Amorpho. Previous Next

Miscellaneous < Back STOOLS, 1960s Pair of stools Netherlands, 1960s Oak wood H 49 cm x W 61 cm x D 52 cm

Miscellaneous < Back ARTURO CARMASSI, 1994 ARTURO CARMASSI (Italy, 1925 – 2015) Petit Reportage IV 1994 Mixed media and chalk on canvas H 35 cm x W 39 cm Publ.: Arturo Carmassi, Pierre Restany, ed. Il Ponte, 1992, n. 15

Modern Design < Back PIERRE JEANNERET CHAIR, 1960s Pierre Jeanneret Chair for Chandigarh, India Variant Model of the Office Chair Circa 1960s Teak and straw H 81 x W 50 x D 53cm Observation : This work had intervention of restoration.