Miscellaneous < Back GIUSEPPE RIVADOSSI STOOLS, 1970 Stools Designer: Giuseppe Rivadossi (Italy, 1935) Italy, 1970 Wood H 50 cm x W 52 cm x D 35,5 cm x SH 45 cm

Miscellaneous < Back JANNIS KOUNELLIS, 1995-2000 JANNIS KOUNELLIS (Greece, 1936 - Italy, 2017) Untitled 1995-2000 Mixed media on paper H 37,5 cm x W 52 cm Note: signed; accompanied by a certificate of authenticity signed by the artist.

Contemporary Art < Back MIGUEL PALMA Lisbon, 1964 Born in Lisbon, 1964. Lives and works in Lisbon and exhibits regularly since the late 80s. With a strong appeal to sculpture, the artistic background of Miguel Palma followed the direction of multimedia installations, using non-traditional methods of production and working regularly within a team of carpenters, mechanics, engineers and biologists, oriented towards an hybrid area and linked with the industrial production of the 20th century. Palma's work often addresses how technology has influenced the life of modern man, its relationship with the environment, the idea of human comfort or even the idea of power. In parallel to the construction of large and medium scale installations, the artist often resorts to drawing and the construction of miniatures of his projects. In addition, the artist also produces video, artist books and performances. Of special note among his solo shows are: Desconforto Moderno, curated by Miguel Von Hafe Perez at CGAC, Spain (2013); Trajectory, curated by Greg Esser at ASU Art Museum, USA (2012); Assembly Line, curated by Isabel Carlos at CAM – Fundação Calouste Gulbenkian, Lisbon (2011); Miguel Palma: COMMA 01, curated by Graham Gussin and Sacha Craddock at Bloomberg Space, London, U.K. (2009); Miguel Palma / O Mundo às Avessas, curated by Miguel Wandschneider at Culturgest, Lisbon (2007); Miguel Palma, at Serralves Contemporary Art Museum, Oporto (2000); Traject, at Centre de Création Contemporaine, France (1997). Flying carpet, 2005 Iranian carpet, military aircraft seat, turbine, electrical system 250cm x 180cm x 200cm

Miscellaneous < Back ANTÓNIO PALOLO, 1972 ANTÓNIO PALOLO (Portugal, 1946 – 2000) Untitled 1972 Acrylic on canvas H 130 cm x W 100 cm

Tribal Art < Back Sokuma mask Tanzania 19th century

Tribal Art < Back Lega Mask Lega Mask Lega people, Democratic Republic of the Congo, Africa First half of the 20th century H 15,9 x W 10,5 cm

Modern Design < Back FIRESIDE LADDERBACK CHAIR, 1939 Gio Ponti (1891- 1979) Fireside Ladderback Chair , 1939 Model manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 x W 39 x D 39 cm Literature: "Mobili per la casa" in Domus n.143, November 1939, p. 60. Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939 Fireside Ladderback Chair, 1939 Gio Ponti (1891- 1979) Manufactured by Casa e Giardino, Italy Painted walnut wood and handmade seat H 104 X W 39 X D 39 cm Fireside Ladderback Chair, 1939

Contemporary Art < Back SARA BICHÃO Lisbon, 1986 Sara Bichão lives and works in Lisbon. Has a degree (2008) and a master (2011) in Plastic Arts from Faculty of Fine Arts of the University of Lisbon. Has integrated several artistic residences like Residency Unlimited (2012, EUA), ADM-PIRA (2016, Mexico) or Artistes en Résidence (2017, France). Exhibits regularly since 2009. Solo exhibitions (selection): Encontra-me, Mato-te (2018), Fundação Calouste Gulbenkian, Lisbon; Coastal (2017) and Adrift in Space, Melt in Pace (2015), Barbara Davis Gallery, Houston; O meu sol chora (2016), Fundação Portuguesa das Comunicações in partnership with Galeria Bessa Pereira, Lisbon; Somebody’s Address (2016) and Open Gates (2014), Rooster Gallery, New York; Recheio (2014), Carpe Diem Arte e Pesquisa, Lisbon. Group exhibitions (selection): Chama (2018), Atelier- -Museu Júlio Pomar, Lisbon; Extática Esfinge (2017), CIAJG, Guimarães; Curar e Reparar (2017), Anozero, Biennial of Contemporary Art of Coimbra; O Que Eu Sou (2017), MAAT, Lisbon; Now, this is fucking too hot (2017, com Manon Harrois), Les Ateliers, Clermont-Ferrand; Puras Cosas Nuevas (2017), Pantalla Blanca, Mexico City; de repente bien (2016), Cantabria Central Library, Santander; }{ { } (2015, com Omar Barquet), Diagrama, Mexico City; Eccentric Exercise II (2015), KCB, Belgrado; Les Gens Heureux, Copenhagen (2014); Soundless Harmonies (2014), Artopia Gallery, Milão; Eccentric Exercise I (2013), Copenhagen; Uma Coisa a Seguir à Outra (2013, com Miguel Ângelo Rocha), Galeria Quadrum, Lisbon; Extending the Line (2012), Arevalo Gallery, Miami. Was awarded by Fidelidade Mundial - Young Artists Award (2009, honorable mention), by Anteciparte (2009, selected artist) and won the BPI / FBAUL (2008) in the discipline of painting. Her work is represented in several public collections: Fundação Calouste Gulbenkian, Lisbon; MAAT - Fundação EDP, Lisbon; Fundação Portuguesa das Comunicações, Lisbon; Figueiredo Ribeiro Collection, Lisbon; António Cachola Collection, Elvas; MidFirst Bank, Arizona; Twins Design, Houston; Fidelidade Mundial, Lisbon; Telo de Morais, Coimbra; Benetton Foundation, Milan; CAC, Malaga. Sem título, 2014 Grafite e marcador sobre papel. 21,05 cm x 29,5 cm Sem título, 2013 Grafite e tinta da china sobre papel Moleskine. 18,7 cm x 25,0 cm Sem título, 2013 Grafite e tinta da china sobre papel de Moleskine. 18,5 cm x 25,0 cm Sem título, 2012 Grafite e lápis de cor sobre papel de Moleskine. 18,5 cm x 25,0 cm Sem título, 2012 Marcador sobre papel de Moleskine. 18,7 cm x 25,0 cm Sem título, 2012 Marcador sobre papel de Moleskine. 18,7 cm x 25,0 cm Sem título, 2011 Aguarela e grafite sobre papel de Moleskine. 25,0 cm x 18,6 cm Sem título, 2014 Aguarela sobre papel de Moleskine. 12,7 cm x 21,0 cm Sem título, 2012 Aguarela sobre papel de Moleskine. 8,1 cm x 13,9 cm Sem título, 2012 Aguarela, lápis de cor e grafite sobre papel de Moleskine. 8,2 cm x 14,0 cm Sem título, 2012 Grafite e lápis sobre papel de Moleskine. 8,8 cm x 14,0 cm Sem título, 2012 Tinta acrílica e grafite sobre papel de Moleskine. 8,3 cm x 14,0 cm Sem título, 2012 Grafite, aguarela e lápis de cera sobre papel de Moleskine. 8,3 cm x 13,9 cm Sem título, 2013 Aguarela e grafite sobre papel de Moleskine. 8,2 cm x 13,9 cm Sem título, 2014 Marcador e lápis de cera sobre papel de Moleskine. 8,2 cm x 13, 9 cm Sem título, 2012 Tinta acrílica e marcador sobre papel de Moleskine. 8,9 cm x 14,9 cm Sem título, 2012 Tinta acrilica e aguarela sobre capa de Moleskine. 9,0 cm x 13,9 cm Sem título, 2013 Marcador sobre papel de Moleskine. 13,9 cm x 8,7 cm Sem título, 2012 Grafite e lápis de cera sobre Moleskine. 14 cm x 9 c Sem título, 2013 Caneta esferográfica sobre capa de Moleskine. 13,9 cm x 8,9 cm Untitled, 2013 Wood and acrylic paint 123cm (H) x 2cm (W) x 2cm (D) Signed and dated This work was exhibited at Carpe Diem, Lisboa 2014 Untitled, 2014 Acrylic on woodboard 66,5cm (H) x 52,0cm (W) x 2,0cm (D) Signed and dated This work was exhibited at Carpe Diem, Lisboa 2014 Untitled, 2014 Acrylic on woodboard 91,3cm (H) x 11,0cm (W) x 3,3cm (D) Signed and dated This work was exhibited at Carpe Diem, Lisboa 2014 Astuto / Sly, 2015 Wood, canvas, fabric, leather, steel, cord and cotton 110cm (H) x 87cm (W) x 12cm (D) Untitled, 2014 Plaster ball and leather 39,0cm (H) x 6,0cm (W) x 6,3cm (D) This work was exhibited at Rooster Gallery, on the individual exhibition "Somebody’s adress” in 2014

Contemporary Art < Back PEDRO CABRITA REIS Lisbon, 1956 Born in 1956 in Lisbon, where he currently lives and works. He enrolled in the Lisbon Academy of Fine Arts in 1973 to study painting, and had his first solo exhibition in 1981. His work since then has evolved into a complex oeuvre comprising a variety of genres ranging from drawing and painting to sculpture and installation. With an acute sense of space occupation, whether an exhibition hall or outdoor urban and natural landscapes, Reis’s artworks delve into issues related to memory and to construction and architectural processes, by using diverse unsophisticated materials, such as wood, glass, plaster, stone, plastic and metal, sometimes in combination with ordinary household objects. He participated in Documenta 9, Kassel, in 1992, as well as the 21st and 24th São Paulo Biennales in 1994 and 1998, respectively. In 2003, he represented Portugal at the Venice Biennale. Pedro Cabrita Reis has exhibited widely in prestigious Portuguese and foreign art museums and centres, namely “One after another, a few silent steps”, a retrospective that toured Hamburg (2009), Nimes (2010) and Leuven (2011) before being staged at the Lisbon Berardo Museum in 2011, and “States of Flux – Pedro Cabrita Reis”, at Tate Modern, London, in 2011. Following the same guiding principles as the rest of his artistic endeavour, Reis’s public art include, in addition to Uma escultura para Santo Tirso [A Sculpture for Santo Tirso], built for the 6th Santo Tirso International Symposium of Contemporary Sculpture in 2001, Da cor das flores [On the Colour of Flowers], a public sculpture created in 2001 for the Bemposta Dam, and Castelo [Castle], rising at the Contemporary Sculpture Park of Vila Nova da Barquinha (Almourol) since 2012. 1+1, 2003 Plywood and found wood doors 222cm x 64cm x 77cm Photo by PCR studio Antwerpen stairs, 1987 lacquered aluminium 173,5cm x 206,0cm x 7,0cm

OUR MISSION We are commited to providing our customers with works of art they'll cherish and live with, developing emotional connections and enriching their lives < HOME We have challenged ourselves to break epochal and stylistic barriers, focusing on the intrinsic beauty of each of the artworks presented and looking to create a scenario of tranquility in which art is the vital and recreational element, creating amongst us a constant source of inspiration. From Modern design to Roman archeology, each of our acquisitions is the result of a fine line of passion, holding us inescapably to the chosen object, which at times is a fruitful and unexpected encounter and in others a result of a long and persistent search. In the ephemeral architecture of our gallery exhibitions, we have aimed to recreate our universe, our passion for form, design, material and for the relations that establish between a piece and its surroundings. Our gallery is located in Rua de S. Bento, the traditional place for galleries in Lisbon. Galeria Bessa Pereira in PRESS Visit us Business Hours 10h00 – 13h00; 14h30 – 19h00 Monday to Saturday Rua de São Bento 426, Lisboa